When I first stepped into Sam Esparza’s sound design class at Scottsdale Community College, I had no idea how transformative the world of audio editing could be.
Sam, a seasoned professional who runs Big U Music Sound Design, had an infectious passion for the craft. He showed us how sound shapes emotion, storytelling, and the cinematic experience. Those lessons stuck with me, sparking a journey of exploration into the world of audio editing tools.
Inspired by what I learned, I dove headfirst into testing the best audio editing software solutions. I wanted to understand how each program handled challenges, from cleaning up noisy dialogue to creating rich, immersive soundscapes. After countless late nights experimenting with features, comparing workflows, and pushing each tool to its limits, I’ve come to appreciate the distinct strengths of these platforms.
In this listicle, I’m sharing the best audio editing software based on my hands-on testing and the foundational insights I gained from Sam’s class. Whether you’re starting, refining skills, or working on professional projects, these tools can help you bring your audio visions to life.
*These audio editing software solutions are top-rated in their category, according to G2 Grid Reports. I’ve also added their monthly or annual pricing to make comparisons easier.
For me, audio editing software is a comprehensive toolkit that enables precise sound manipulation. It allows me to import and export various audio file formats, record multiple tracks simultaneously, and edit specific sections with non-destructive techniques.
I can apply real-time effects like equalization and compression and utilize features like time-stretching and pitch-shifting to achieve the desired sound. The software's support for virtual instruments and musical instrument digital interface (MIDI) sequencing expands my creative possibilities, while its batch processing capabilities streamline repetitive tasks.
I spent weeks exploring different audio editing software, testing them for everything from basic edits to professional-grade sound design. I discovered how these tools perform in real-world scenarios by consulting with industry peers and everyday users. I evaluated their standout features to assess their value and identified areas where they could improve.
Using AI to analyze hundreds of G2 reviews, I gained deeper insights into user needs and challenges. Cross-referencing these insights with G2’s Grid Reports, I compared the software based on usability, functionality, and value for money. After extensive testing and analysis, I’ve compiled this list of the best audio editing software.
What separates the best audio editing software from the rest, in my experience, is its balance of power, usability, and versatility. The top tools don’t just offer advanced features like multi-track editing, spectral analysis, and real-time effects. They also make these tools intuitive and accessible. Another big plus is compatibility with a wide range of audio formats and seamless integration with plugins or virtual instruments.
Performance matters too. Laggy processing or crashing during complex tasks is a dealbreaker. The best software also provides non-destructive editing, so I can experiment without fear of losing the original sound.
What truly stands out, though, is adaptability. Whether mixing music, cleaning up dialogue for a film, or designing sound effects, the best audio editing software gives me creative freedom while keeping the technical workflow efficient.
I considered the factors below while researching the best audio editing software solutions:
When evaluating the best audio editing software, I considered key factors like user-friendly interfaces, compatibility with different systems, and advanced features such as non-destructive editing, multi-track support, and real-time processing. I prioritized tools that offered stability, handled large projects seamlessly, and supported high-quality exports in various formats. Access to tutorials, customer support, and active user communities was also essential for learning and troubleshooting.
Finally, I ensured each tool offered good value for its pricing, balancing functionality with affordability. This comprehensive approach helped me identify the most versatile and reliable options available.
To be included in the audio editing software category, a product must:
*This data was pulled from G2 in 2025. Some reviews may have been edited for clarity.
I like how GarageBand makes music creation accessible, whether you’re a complete newbie or a seasoned pro dabbling in something simple.
GarageBand’s ease of use is what got me hooked. The interface is intuitive and clean, and you can jump in without feeling overwhelmed. I could record audio, add MIDI instruments, or experiment with loops with just a few clicks. I especially love how the Smart Controls let you tweak sounds with just a few sliders, which is perfect for creating polished tracks without diving into overly complex settings.
The MIDI instrument library is surprisingly rich for a free app. I’ve crafted everything from soothing piano melodies to punchy drum beats, and it’s all built right in. The virtual drummer feature makes you feel like having a real drummer on call, with options to adjust style and complexity. Plus, the sound library has loops and pre-recorded audio that can seamlessly fit into your project.
I also liked the multitrack editor, which makes it easy to fine-tune recordings, adjust timing, or clean up noise. And when it comes to effects, GarageBand doesn’t hold back. It includes built-in plugins for EQ, compression, reverb, and even guitar amp modeling. Whether working on vocals or instrumentals, the effects chain lets me shape the sound exactly how I want it.
The export options are straightforward, too. Whether exporting a high-quality .WAV file or just sharing a quick MP3 mix, it’s quick and hassle-free. And if you’re syncing with Logic Pro down the line, GarageBand projects can migrate seamlessly.
While GarageBand is great for beginners, you’ll notice its limits once you start pushing boundaries. For instance, advanced routing options like sidechaining or multi-channel recording aren’t available. Also, while there’s support for third-party AU plugins, it can feel limited compared to professional DAWs.
I also didn’t like how GarageBand is only available on macOS and iOS. If you’re a Windows user, you’re out of luck. And if you’re transitioning from something like Pro Tools or Ableton Live, GarageBand might feel like a simplified version of what you’re used to.
“GarageBand's downsides include limited advanced editing capabilities, fewer virtual instruments compared to professional software, and some constraints for experienced users. Its simplicity may be a drawback for those seeking more complex features in music production.”
- GarageBand Review, Hubab K.
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If you’ve ever struggled with messy audio files or to achieve that polished sound, Riverside.fm might be what you’ve been waiting for.
From the moment I started using it, I noticed how intuitive everything felt. You don’t have to be an expert to figure it out, but if you are, there’s plenty of depth to explore.
What stands out is the local recording feature. I love how it offers uncompressed, high-quality audio from each participant’s device. This means you're starting with pristine sound when it’s time to edit, making the process much smoother.
I also appreciated how Riverside.fm makes it easy to trim, split, and clean up recordings directly within the platform. It even syncs audio and video seamlessly, so you don’t have to waste time aligning things manually if you're working on multimedia projects. And the exporting is lightning-fast, with multiple format options to suit your platform.
I was also impressed with the built-in AI tools, such as automatic noise reduction and audio leveling, which means less time spent tinkering with the basics and more time refining the creative stuff.
I love experimenting with different soundscapes, but Riverside.fm doesn’t support external plugins like VSTs. So, if you want to add reverb, custom compression, or other nuanced effects, you must export your tracks and finish the job in a dedicated DAW.
One thing I’ve missed is the ability to batch-process multiple files. For example, if you need to normalize or apply noise reduction to several tracks simultaneously, you cannot do it within Riverside. You have to edit them individually, which can be a time sink.
As someone who occasionally deals with tricky background noise, like that weird hum you don’t notice until playback, I found Riverside.fm lacking spectral editing tools that help isolate and remove those issues.
“The upload process could be faster. It can be a bit of a wait to get those files ready for editing, especially after longer recordings. The pricing is also higher, which might be a hurdle for smaller or new podcasters who don’t need all the advanced features. Lastly, while the interface gets the job done, it could use a little polish to make navigating multiple recordings and managing files smoother.”
- Riverside.fm Review, Chris W.
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Descript is an end-to-end video editing tool but I have also used it for audio editing.
The first thing that blew me away was the text-based editing. Imagine uploading your audio or video, and you have an editable transcript within minutes. Need to cut out a stutter or an "um"? Delete the word from the text, and Descript syncs it with the audio or video.
Then there’s Studio Sound, which is a technical marvel. I love how it uses AI to clean up background noise and enhance voice clarity. I’ve turned scratchy recordings into something that sounds like it was done in a professional studio. This feature saved me hours I would’ve spent tweaking EQ settings in other tools.
I also loved the multitrack editing. Whether I was layering background music or adjusting podcast guest tracks, the interface made it seamless. I also appreciated the overdub tool. I could train it on my voice, which let me insert new words or fix mistakes without re-recording.
I also liked how the screen recording feature lets you record your screen, webcam, and microphone simultaneously, making it a go-to for tutorials or presentations. When it comes to exporting, Descript lets you create shareable links or directly publish to platforms like YouTube or social media.
Despite its brilliance, Descript isn’t without flaws. I didn’t like how the interface is intuitive for basic tasks yet feels overwhelming when diving into advanced features. For instance, tweaking multitrack mixes or handling detailed audio fades requires patience.
Cost is another sticking point. The subscription plans are reasonable for solo creators, but adding team members quickly raises the price. And while the AI tools are groundbreaking, features like Overdub are locked behind the higher-tier plans.
I’ve also had issues with the Studio Sound feature after recent updates. It used to be flawless, but now it occasionally over-processes audio, making voices sound robotic. And while I love the transcription, its accuracy dips with heavy accents or poor-quality audio.
“As a Windows user, I found what I guess is a MAC-based interface confusing. I am an experienced graphics and text editor, but as a newbie to video (or audio) editing, I found their training materials to be nearly useless. I have now edited about 3 hours of video, taken three webinars and looked at a lot of their online support material and still don't feel competent in the basics of editing.”
- Descript Review, Tom G.
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Let me tell you about my experience with Logic Pro X, Apple’s powerhouse for music production.
The range of tools and features absolutely blew me away. Logic Pro X is packed with everything from Alchemy, the powerful sample-based synthesizer, to a collection of space designer reverb presets that add incredible depth to any track. I also liked the Smart Controls feature, which makes fine-tuning instruments and effects ridiculously efficient.
When working with audio, the Flex Time and Flex Pitch tools are my heroes. Flex Time lets you adjust the timing of your recordings without needing to re-record, while Flex Pitch gives you total control over vocal tuning. It’s perfect for fixing those little imperfections (or adding creative tweaks) in real time.
Logic Pro X’s multitrack recording capabilities are hard to beat for live recording. I love how it can record and edit up to 256 audio tracks simultaneously at 24-bit/192kHz, which is insane. Pair that with the smart tempo feature, and you can sync live performances to your project without manually adjusting anything. And yes, the software’s compatibility with third-party plugins means you can bring your favorites into the mix.
I like how Logic Pro X is easy to pick up for beginners, but diving into its advanced features can sometimes feel overwhelming, especially when you’re tweaking MIDI environments or automating complex effects. And while it’s a favorite among indie producers, it’s not as much of an industry standard, which can be a downside if you collaborate with big studios.
I’ve also noticed a few hiccups when pushing the system hard. Large projects with tons of plugins can cause performance lags, and while they’re not frequent, they’re frustrating when they happen. On top of that, while the initial price is fair, the cost of premium plugins and expansions can add up over time.
"The thing I dislike most about Logic Pro X is that the software can sometimes get overwhelmed with the number of voice and instrument channels you implement. Even with a MacBook Pro with 16GB of RAM, more than eight different channels bogged down Logic Pro X, which was very laggy. The ultimate sound of the work was outstanding, but the process itself was frustrating. I would recommend no more than six channels when creating music which can limit some of the scope you may have been envisioning.”
- Logic Pro X Review, Beau K.
I’ve used a fair share of audio editing tools, but Podcastle stands out because it feels like it’s built for both the tech-savvy and the absolute beginner. The user interface is clean, intuitive, and packed with features that make audio editing less of a chore and more of a creative playground.
What impresses me are the technical tools they’ve baked in. For instance, the AI-driven magic dust feature is designed to clean up your audio automatically. It’s perfect for reducing background noise and balancing levels with a single click—ideal for quick touch-ups without digging into the nitty-gritty of manual adjustments. I’ve tested it on interviews with a lot of background chatter, and while it’s not always perfect, it does a remarkable job for an automated tool.
Another standout is the transcription feature. I like how it converts your recordings into text with surprising accuracy, and you can even edit your audio by tweaking the transcription directly. It’s like editing a Word document; the changes instantly sync with the audio. This has saved me so much time, especially when fine-tuning long podcasts.
The multitrack editing functionality is where Podcastle shines. It lets me layer multiple audio tracks seamlessly. Whether I’m adding music, sound effects, or simply organizing voice over recordings, it’s incredibly smooth to work with. Plus, the ability to export in high-quality formats means I never have to worry about the end product sounding anything less than professional.
The mobile app is decent for someone who likes to edit on the go, but I have to admit, it doesn’t quite match up to the desktop version. Advanced features like multitrack editing and fine-tuning tools are mostly desktop-exclusive, which can be a bit limiting when I’m not at my desk. The app is still solid for recording and making quick edits.
Performance-wise, I’ve noticed some lag when working with larger files, especially during export. It’s not enough to ruin the experience, but it’s worth remembering if you’re handling longer projects or working under tight deadlines. Also, while the AI tools are powerful, they aren’t flawless. Sometimes, you’ll need to step in for manual adjustments.
“The editor is sometimes a bit buggy, and we have had some irregularities during recordings where one person's audio disappears, but that was the exception and not the rule. Customer support via Discord typically always refers you to email support in any way. Think they can use the discord server better.”
- Podcastle Review, Gideon M.
Whether cleaning up noisy audio, layering tracks, or creating a podcast, Adobe Audition has been my go-to for all things sound.
What makes Adobe Audition stand out for me is its insane versatility. I spend most of my time in the multitrack editor, effortlessly layering music, effects, and vocals. It’s like having a fully equipped audio studio on my screen. Then there’s the waveform editor, perfect for precision tweaks. If I need to remove a stubborn background hum or hiss, the Spectral Frequency Display is an absolute lifesaver. Seriously, seeing sound visually and being able to paint out unwanted noise is pure magic.
Another standout for me is the adaptive noise reduction. Have you ever recorded in a less-than-ideal environment? No worries. This tool scrubs out background noise without compromising the quality of the main track. And let’s not forget the parametric equalizer and compressor tools. I love how they make balancing audio levels and achieving that polished, professional sound much easier.
I also appreciate how seamlessly it integrates with the Adobe ecosystem. If I’m working on a video project in Premiere Pro, I can send audio clips directly to Audition, tweak them, and instantly reflect the changes in my timeline. It’s all about that smooth workflow, and I’m here for it.
Now, let’s talk about cons. Adobe Audition is resource-hungry. If your computer isn’t up to par, expect occasional slowdowns or lag, especially when working with larger projects or high-resolution audio files. I also don’t like the steep recurring cost if you only need Adobe Audition.
While the bugs are not constant, I’ve had moments when the software crashes unexpectedly, or a feature doesn’t work as intended, usually after an update. Also, while the basics are intuitive, some advanced features like batch processing or creating custom presets take time to figure out. I remember staring at the spectral editor for weeks before I felt comfortable using it effectively.
Adobe Audition can feel overkill if you’re not working on professional-grade projects. If you’re just doing basic audio edits, the sheer number of features can be overwhelming, making you wonder if you’re paying for tools you’ll never touch.
“There's a slight inconvenience regarding compatibilities with certain MIDIs or Audio Interfaces. It's incompatible with a couple of interfaces that I've used, which ended up being inconvenient at the time. Another small letdown is when it comes to using it for live performances. The Audio output isn't the clearest, and there's always a slight delay regarding real-time performances.”
- Adobe Audition Review, Jaden B.
When it comes to audio editing, I always turn to Audacity. Why? Because it’s free, powerful, and does almost everything I need without costing me a dime. Whether I’m editing podcasts or cleaning up a voiceover, this tool gets the job done.
Audacity comes with a ton of tools for editing, from basic cutting and trimming to advanced features like noise reduction, pitch shifting, and equalization. I love how easy it is to clean up background noise or apply effects like reverb to make my recordings sound polished.
Audacity runs smoothly even when I switch between a PC and a Mac. It’s also compatible with Linux, so no matter your system, it has you covered. One of the coolest things is how customizable Audacity is. It supports plugins like VST and LADSPA, so I’ve been able to add effects and features to fit my needs.
When exporting, Audacity supports various formats, such as MP3, WAV, and FLAC. I’ve used it to produce high-quality podcast episodes, and the results always impress me. If you’re new to audio editing, the basics are simple. The layout might look a bit dated, but it’s intuitive once you spend a little time with it.
I don’t like how I can’t hear the changes in real-time when I’m applying effects like EQ or reverb. It’s more of a trial-and-error process, which can slow things down.
While basic edits are easy, diving into multi-track editing or automation took me some time. I had to watch tutorials to get the hang of it. When working with large files or a lot of tracks, Audacity can get sluggish. I’ve even had it crash several times during bigger projects, so I save my work constantly to avoid losing progress.
In a world where AI can auto-clean audio and balance levels, Audacity feels a bit behind. I’d love smart features to speed up tedious tasks like noise removal or mastering.
“I dislike that you have to insert your plugins to make it more like music production software.”
- Audacity Review, Bethany Beulah S.
If you’re anything like me, you’ve spent far too much time wrestling with audio tracks, trying to make everything sound polished without losing your sanity. That’s where Camtasia Audiate steps in, and let me tell you, it’s a tool that redefines simplicity in audio editing.
I love how Audiate converts recorded audio into editable text in real time. You know how tedious it can get if you’ve ever had to edit out an “um,” a botched line, or an awkward pause. Here, you just highlight the word or phrase in the transcription and delete it. It’s especially helpful for long-form content like webinars, podcasts, or e-learning modules.
I also appreciate the automatic filler word detection. Camtasia Audiate highlights those pesky “ums,” “ahs,” and “you know” for you, saving hours of manual cleanup. You can remove them all at once or selectively clean up specific parts, which makes it perfect for maintaining a natural tone.
I am also impressed by Audiate’s multi-track editing capabilities, meaning you can tweak audio layers individually. The waveform visualization is detailed, so if you’re old-school like me and want to eyeball your edits, you also have that option. And let’s not forget the real-time playback preview, which lets you hear exactly what your edits sound like without needing to render or export.
Integration with Camtasia is seamless. I love how Audiate syncs directly with Camtasia’s timeline when editing videos. There is no need to juggle multiple tools or worry about audio drifting out of sync.
I didn’t like how Camtasia Audiate’s noise reduction capabilities aren’t as advanced as some standalone audio editors. If you’ve got a recording with a lot of background noise, you might find yourself exporting it to a tool like Audacity or Adobe Audition to clean it up.
Another limitation is its lack of advanced effects. While I love Camtasia Audiate for basic EQ and trimming, I couldn’t find options for reverb, complex filters, or advanced mixing. It’s designed for speech-heavy audio rather than music or intricate sound design.
Also, I have to mention the manual update process. For a tool this modern, it feels odd to have to check for updates manually. It’s a small annoyance but worth pointing out.
“The only downside I have found to Camtasia Audiate is when using the AI audio scripts, it doesn't allow for intonation adjustments. I'd also love to see Audiate further develop its background noise removal feature.”
- Camtasia Audiate Review, Alora S.
If there’s one audio editing software that changed how I approach music production, it’s Ableton Live. From producing tracks in the studio to pulling off seamless live performances, this tool has me covered.
The session view is the showstopper for me. It’s like having a sandbox for ideas. I can throw in loops, samples, and MIDI clips, tweak them live, and let creativity flow. Then there’s the arrangement view, which gives structure when I’m ready to build a full track. Switching between these views is buttery smooth, and I love how it keeps my workflow fast and fluid.
I also love features like warping, which lets me time-stretch audio without ruining its quality. I appreciate that I can match a vocal sample to my beat or remix a song at a different tempo. The automation lanes are another favorite. They’re precise and intuitive, letting me shape effects, volume, and more with pinpoint control.
Ableton Live includes instruments like Operator, a versatile FM synthesizer, and Sampler, which turns any audio into a playable instrument. And I love the third-party plug-in support. I’ve integrated my favorite VSTs and rarely run into compatibility issues.
One standout feature is Max for Live, which lets me take customization to a new level. You can build your instruments and effects or download pre-made ones from the community. It’s like having a secret lab for sound design.
Ableton Live has a learning curve, especially if you’re coming from another digital audio workstation. It’s powerful, but that power can be overwhelming at first. I remember spending hours figuring out routing and advanced MIDI functions.
While minimalist and functional, the interface might not be everyone’s cup of tea. Compared to Logic Pro’s polished look or Pro Tools’ traditional setup, Ableton Live feels different. It’s clean, but it can feel a little uninspired at times.
And the hardware demands? Let’s just say my older laptop didn’t love it. If you plan to work on large projects with loads of tracks, you’ll need a solid machine to keep things running smoothly.
“Using Ableton Live for production is fantastic, although, when it comes to mixing audio, I don't find it to be the most convenient. I enjoy having a fader to adjust the levels of each track accordingly, as it makes it clear the level at which the track is sitting in the mix. Although, Ableton Live doesn't have this design.”
- Ableton Live Review, Callum B.
Based on my extensive testing experience, Audacity, Adobe Audition, and Logic Pro X stand out as the best audio editing software for personal computers.
In my experience, WaveEditor and FL Studio Mobile are the best audio editing apps for Android. They're powerful, versatile, and user-friendly.
From my experience, Audacity is the easiest audio editing software for beginners. It's free, straightforward, and perfect for learning the basics.
GarageBand, Logic Pro X, and Adobe Audition are the best audio editing software.
In my experience, Audacity is the best free audio editing software. I love that it’s open-source and packed with all the essential tools I need, whether doing basic edits or tackling more advanced audio projects. It’s super easy to use, even for beginners, and since it works on multiple platforms, I can rely on it no matter what system I’m using.
As I wrap up this exploration of the best audio editing software, I’m reminded of the lessons I learned in Sam Esparza’s sound design class: the power of sound to shape stories, evoke emotion, and elevate any project. That foundational experience, combined with my hands-on testing of these tools, has deepened my appreciation for how the right audio editing software unlocks creativity and transforms ideas into reality.
Whether you’re a beginner taking your first steps into audio editing or a seasoned professional fine-tuning your craft, the right software can make all the difference. Each program I’ve highlighted has unique strengths to help you tackle challenges, refine your skills, and bring your vision to life. I hope this guide helps you find the perfect tool for your needs and inspires you to experiment, create, and push the boundaries of what’s possible with sound.
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